By special “The Film Nest” guest contributor: Joseph Amaral (aka “JoeCoconut” in Comments section)
Race to Witch Mountain is yet another Hollywood remake or re-imagining (whatever you call these now), this time from Disney. I can go on and on about how I don’t like remakes, but this one doesn’t look half bad.
Grayed is good
Dwayne Johnson, who seems like he’s dropping “The Rock” from his name, stars as a Las Vegas cabby driver, Jack Bruno. While doing his daily rounds, he picks up two kids named Seth (Alexander Ludwig) and Sara (AnnaSophia Robb). Jack learns the kids are extraterrestrials and are being pursued by an association, which plans to exploit them for evil means. Carla Gugino, who plays Dr. Alex Friedman, is a washed up astrophysicist who is reduced to giving lectures on UFOs. Jack seeks Alex’s help to get the kids to Witch Mountain so they can return back to their spaceship.
I’ve always enjoyed the actor formally known as The Rock, because he has a certain good guy charisma, despite looking like he could knock you out with one punch. There’s really nothing to find negative about Johnson and I’m glad to see he’s branching into the family/comedy genre like Witch Mountain, Gridiron Gang, Get Smart and The Game Plan. After his first initial fame with action/adventure movies (Scorpion King, The Rundown, Walking Tall etc.), he could have easily taken the bait and gone down the path of your typical action star (Statham, Stallone, Schwarzenegger). I think he fits quite comfortably with family movies and it doesn’t take away from his “tough guy” persona. AnnaSophia Robb, who plays Sara, was very good in Bridge to Tarabithia and I could see her having a promising career. Ciaran Hinds plays Burke, the head of the organization that’s after the kids. He was very solid playing the part of the Mossad agent in Spielberg’s Munich. Andy Fickman, who also worked with Johnson in The Game Plan, directs this.
Shades of "Close Encounters" emerge
Race to Witch Mountain actually can trace is origins back to 1968. Alexander Key originally wrote it as a science fiction novel and Disney made it into a movie in 1975 called Escape to Witch Mountain. Two sequels followed, Return to Witch Mountain in 1978 and Beyond Witch Mountain in 1982. Race to Witch Mountain isn’t the first remake either. It was first remade as a TV movie in 1995 called Escape to Witch Mountain. Producers of the new version tried to change the formula of their remake by tweaking with the title. Ike Eisenmann, who played the male child alien in the original and its sequel, will actually be in this one, as a sheriff. Kim Richards, who played the female child alien, will also be back, this time as a waitress.
This movie should be a hit with families, because it looks entertaining and has enough special effects to mesmerize any kid under 12. The movie will be released March 13th.
There’s been a lot of hype about the Transformers sequel over the past few weeks. We were given the teaser poster, we put the movie up as one of our Top 20 Anticipated of the year, we’ve learned there wouldn’t be any Dinobots and now we have the first official footage from the film. Below is the Super Bowl spot for Transformers: Revenge of the Fallen. It’s short. Only 30 seconds, but for anybody planning to check out the re-boot of Friday the 13th in a couple of weeks, you can expect to see a longer teaser attached to that. Behold the TV spot:
I LOVE that huge robot bursting through the freeway and emerging right at the end. That’s just beautiful. I’m also very happy to see a quick glimpse of a robot transforming into a car. It’s a magnificent sight.
You can indulge your nostalgia for the first film here and go back even further and pick up the 1986 animated film. All will help bide time until June 26th.
I’ve never seen an episode of “Star Trek” in my life. I’ve actually worked hard to avoid it. It’s always been around me in its several incarnations on TV, but I’ve managed to make myself sparse during those times. It’s the Klingons that I can’t look at. Like Worf. I could hardly stand to look at that guy through a commercial. Look at that thing. The stuff nightmares are made of. For the same reason, I’ve never seen any Planet of the Apes films. The faces are too difficult to look at for me.
There aren’t any Worf-like creatures in any of the Star Trek spots so far and I’m thankful for it. Here’s your chance to check out the Star Trek Super Bowl spot, below:
Is anybody excited for this who’s NOT a “Star Trek” fan already? I can kind of see the appeal. I think the involvement of J.J. Abrams was a good decision. It might help crossover into non-”Star Trek” fandom. What did you think of the TV spot? Did it really entice? Are you more into it, less into it or just the same?
Certainly one of my most anticipated movies of the year, Pixar’s Up, has its Super Bowl TV spot online. It’s very similar to the teaser trailer that’s already out. There’s a short tag joke at the end, which is knew. A whetting of the appetite for sure. Of course not much needs to be revealed to get people on board for a Pixar film. They just need to know it exists. Check out the spot, below.
We’ve already previewed the film here. And as the TV spot suggest, you can see an exclusive clip from ‘Up’ at Disney.com. Unfortunately I can’t embed it for you, so here’s a direct link to that clip. I won’t spoil anything about it for you.
Meanwhile, I’ve been catching up on my “Empire” magazine reading lately and there’s a couple new pics from Up I hadn’t seen before. Here they are for you:
What did you think of the TV spot? Did you check out the clip? I look forward to any comment from a devout Pixar fan, like myself.
Here we are with another Super Bowl spot before the game has been played. This one is for the filmic adaptation of the TV series “Land of the Lost.” Land of the Lost stars Will Ferrell and Danny McBride (second billing!) and they go back in time and face dinosaurs, amongst other creatures. I guess after not having Dinobots in Transformers: Revenge of the Fallen, we’ll still be able to get our dino fix this summer.
I don’t know. Never seeing the show, I don’t have any connection to the material. It could be good. I think this spot will do well in terms of selling the movie to viewers tomorrow, and that’s its main goal. I’m happy Will Ferrell isn’t in some crazy sports comedy and it looks pretty epic. Brad Silberling directs his first big movie since the unfortunate Lemony Snicket’s A Series of Unfortunate Events. That one is obviously off the “franchise” train.
What do you think of this spot? Do you want to see the movie?
This one is more of a scene from the film than just a TV spot. Kind of hard to believe you’ll see this one in it’s entirely during tomorrow’s game. That’d be $12 million! Whatever gets people excited about the film and makes them buy tickets, I guess.
The Year One is directed by Harold Ramis (Groundhog Day) from a script he wrote with “The Office” scribes, Gene Stupnitsky & Less Eisenberg. Michael Cera and Jack Black star as Oh and Zed, respectively, two caveman trying to survive before civilization. In the clip/TV spot below, you’ll also meet Kane and Abel, played by Paul Rudd and David Cross.
It looks pretty decent to me. I’d love it to be good and funny. I recall the buzz being not particularly strong from some test screening reviews I’ve read. I wish I was able to tell you myself if it was worthy or not.
UPDATE: It turns out that was just a clip. Here’s the actual Super Bowl spot.
This scene reminded me of a clip from the 1981 film, Caveman, starring Ringo Starr, that I’ve seen numerous types playing “Scene It” on the 360. Sadly, I couldn’t find the exact one. Here’s a clip of music being invented.
I wonder if the Super Bowl will be holding any more surprises tomorrow. We now bring you the Super Bowl spot for the third sequel (that’s number four) to The Fast and the Furious, the creatively titled Fast & Furious! This is the first Super Bowl spot we’ve posted for a film that’s already had a trailer released, so only slightly new footage. Of course, this is going out to the few people that watch the Super Bowl, too. Behold!
Vin Diesel used to be my boy when he was coming up. For those that know his first major film role was Saving Private Ryan, an even more in-depth education will lead you to knowing Spielberg had that role written into the film specifically for Diesel after seeing Vinny’s short film Multi-Facial, at Sundance. I bought the DVD and have always enjoyed the 20-minute short. It definitely displays Diesel’s acting chops and saddens me to know he’s been pigeon-holed into this crappy action stuff. Hopefully one day, he’ll break out like I know he’s capable of.
The complete short is below, but if you find it in your heart to buy the DVD, check it out here: Short 5 – Diversity.
I was never allowed to play with G.I. Joe’s as a kid, so I never got into them. I have no idea what any character’s name is. I know “Cobra” has something to do with that universe. So, my excitement for this film is less than zero. It wasn’t really increased by this TV spot. If you want to see what G.I. Joe has in store for you tomorrow during the Super Bowl, just check it out below.
Did you like it? Are you excited for this?
I don’t hold director, Stephen Sommers, in high regard. Remember Van Helsing? It is nice that it’s trying to find a spot in August though, which over the past 10 years or so (ever since The Sixth Sense) has extended the blockbuster season. I’m all for better movies spread around. I hope this is good for anybody that has an interest. Be sure to let me know.
About a year ago, a friend and I were recalling this old G.I. Joe commercial. For the heck of it, here it is below.
The first film-related TV spot set to air during the Super Bowl was made available today via MTV Movies Blog. The spot is for the Dwayne Johnson-starring Disney film, The Race to Witch Mountain.
The film is a remake of the 1975 film, Escape to Witch Mountain. Johnson plays, Jack Bruno, a modern-day Travis Bickle (only in that he drives a taxi), who is sought by a paranormal expert, Dr. Alex Friendman (Carla Gugino), to help protect two extraterrestrials from a dastardly organization who only want to use them for evil. Sounds dastardly.
With 30-seconds of airtime costing $3 million this year, this ad is costing Disney $6 million. Do you think it’s worth it? We’ll find out March 13th, I guess.
As promised earlier here, we’ll bring you all the movie-related Super Bowl ads as they’re released on the net. There could be more coming before the game itself, and we’ll keep you updated.
As mentioned in my preview of the film, I’m actually looking forward to Angels & Demons, even though I wasn’t the biggest fan of The Da Vinci Code film. I just have some wishful thinking, hoping Ron Howard and Co. will have learned from their mistakes. I did think the book was pretty cool and would like it to be done justice on the big screen. Tom Hanks is my boy.
The following clip doesn’t really show off a hell of a lot. It’s 30 seconds long and essentially just shows a few flashes. We’ll apparently have to wait for the theatrical trailer to even get a remote sense of what to expect. I would imagine we’ll get that pretty soon, as the film’s slated for release May 15th.
What did you guys think of this spot? Was they’re really much of anything to help you get hyped? Are you looking forward to this at all?
I certainly never bothered to make my way to a Sobe booth to pick up 3-D glasses, so I can’t tell you about the dazzling things I witnessed in the additional dimension. For those of you that saw the ad, here’s your chance to relive it, and for those that missed it, here’s you chance to see it.
I think this has a chance to be good, actually. I’m not much for any other studios computer animated films, but Pixar’s, and this certainly has a vague resemblance to Monsters, Inc. (as these studios are apt to do), but I do like the eye/tongue/elbow/butt scanner joke.
For those that saw the TV spot in 3-D did it really enhance your enjoyment at all? For anybody not as ready and willing to outright reject the animated product of non-Pixar, what’s your level of interest in the movie?
For some extreme trivia, former “The Simpsons” writer and longtime friend of Wes Anderson (he played the wrestling ref in Rushmore), Wally Wolodarsky had a hand in writing the script.