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David O. Russell’s The Fighter Movie Review

David O. Russell’s The Fighter Movie Review

As a boxing fan, director David O. Russell’s new movie The Fighter has long been one of my most anticipated screenings at the cinema this year. The story, based on real life events surrounding boxer “Irish” Mickey Ward and his crazy family, was one of the more compelling that film’s had to offer in 2010. The film is more drama than action, but is both riveting and wild. Upon viewing the movie, it is easy to say it is one of the top films released this year.

Mark Wahlberg stars as Ward, the boxing warrior who (in the film) is a bit down on his luck, drives a beat up vehicle and is attached to one of the craziest film families we’ve seen since the brief glimpse we got at Brad Pitt’s gypsy family in Snatch. Mickey’s brother Dicky Eklund is a crack addict and former local boxing legend himself, and Christian Bale breathes more life into the character than Dicky inhales crack smoke. And yes, that is saying something. Meanwhile, Ward’s mother Alice is acting as a fight manager to Mickey, while being in constant denial over Dicky’s issues. Dicky has an HBO film crew following him around which only serves to add to his thoughts of local heroism, but he believes it to be more about his boxing prowess (he knocked down the famous “Sugar” Ray Leonard once) than his crack addiction. It’s not.

the fighter pic

Mark Wahlberg and Christian Bale play brothers in The Fighter.

One night, Mickey’s father-in-law sets him up with educated bartender Charlene (Amy Adams), who eventually becomes Ward’s girlfriend. To say that his family accepts Charlene with open arms would be a monumental lie. Ward’s five sisters are ready to brawl at a moment’s notice and every family scene is riveted with heavy doses of the exciting unknown. Ward is trying to get his shot at boxing glory and win a title, but with all the drama going on around him, his training suffers and he takes fights that he shouldn’t. He needs to get his life, in the ring and out of it, on track.

The Fighter boasts some incredible acting, primarily from Bale, who in my estimation is a shoo-in for the Best Supporting Actor Oscar award. He’s captivating from the very first frame of film that O. Russell shoots; long gone is the superhero he is known for and in his place is a transformed actor at the peak of his craft. Wahlberg is solid, not showy; Adams, brazen and bold, and Melissa Leo as Ward’s mother is insanely noteworthy as well. O. Russell doesn’t add tons of visual flair to the proceedings but his lighting is superb and the fight portions of the film feel like a real boxing broadcast. Great work by his cast and crew here.

It’s been said that this film boasts some of the most realistic boxing ever captured on celluloid. It seems that critics are quick to point this out in almost any new boxing film of quality that comes along. Clint Eastwood’s brilliant Million Dollar Baby and Michael Mann’s Ali come to mind. After The Last Round this is not, but the action (though fairly limited) is quality and Wahlberg sports a striking resemblance to the real life Ward in the ring; hair sweaty and body chiseled.

The Fighter is a special story, not about boxing as much as family, but one that captivates from frame one and doesn’t let go. Based on a true story, this is one that should be seen by all fans of film and sport. It’s a surprising holiday movie that is sure to become a major awards contender as well. Like a comeback that Ward would have made in the ring, I like it’s chances.

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Quick Reviews of Latest Movie Rentals / Movies Seen From My Netflix Queue

Quick Reviews of Latest Movie Rentals / Movies Seen From My Netflix Queue

This is the latest update in my ongoing series of mini-reviews, quick thoughts on the latest movies I have seen from my Netflix queue.


The epitome of a bored night for me – just trying to watch something, I took a chance on this Ashton Kutcher led film about a playboy/con-man with few friends trying to make it in Los Angeles. He hooks up an affair with older woman played by Anne Heche and subsequently moves around from lover to lover until he finds love in another con-woman/playgirl. This was incredibly stupid, and very poorly done, despite access to some great locations. Kutcher just doesn’t move me on the big screen, despite from all indications, being a good guy off of it. There is a morality tale in there somewhere, but I’ll leave it to you to find it should you decide to waste your time with this. 1 out of 5 stars


Granted, this was not from my rental queue, but rather a short 30 minute film by Kanye West that I saw online. Kanye directs a story by acclaimed video director Hype Williams. Shot in Prague, Kanye and model Selita Ebanks star as a couple, one man, one phoenix (a bird). Interesting visuals, great music, but an incoherent “story.” This was an art-house short if I’ve ever seen one. Kanye shows a flair for color and subtlety for directing with strong camera angles. Worth watching if you are a fan of his music, or the truly avant-garde art house films. (no rating given)

The Square

An Australian film in the vain of “noir” that would make the Coen brothers jealous. This tense, taut thriller about a married man who wants to steal away with his young, trophy lover (also married) and gets caught up in having two schemes going on at once. Expertly handled direction with a great story to boot. All sorts of subplots abound and it does get difficult deciphering what will happen next, in part due to some occasionally tricky Aussie accents. A killer ending, to say the least. This one will stick with me for a while. 5 out of 5 stars.

Solitary Man

Michael Douglas and Jesse Eisenberg in Solitary Man.

Michael Douglas stars as a man who burns every bridge in his life, completing a near epic collapse of fallen successful businessman to down on his luck, womanizing loner. This is a coming of age tale of sorts for the 50′s to 60′s set. A lot can be gleaned from this type of film, especially for men of a certain age. The grass is not always greener would be applicable here. Susan Sarandon, Jenna Fischer, and Jesse Eisenberg (The Social Network) co-star. The movie hit home (perhaps a little too closely) for me, so it earned a few extra points there, although nothing out of the ordinary really happens. 3 out of 5 stars

Alice In Wonderland

Tim Burton and Johnny Depp combos don’t often do much for me and this was really low on my radar but a woman in my life wanted to see it, so I sacked up. Visually interesting but little else, even Depp’s performance failed to captivate and he usually wins raves for this type of thing. (I saw the original Pirates of the Caribbean years ago and his Jack Sparrow was far and away the best thing in it). There is really nothing noteworthy to report about this movie. I was surprised that I didn’t bash this movie harder and was actually able to make it through. 2 out of 5 stars

The Groomsmen

Director, writer and actor Edward Burns put together this largely overlooked movie and his experience with it has since spurred him to go the super-indie route with his latest Nice Guy Johnny. This one is about five friends struggling with their lives and relationships as they come together for the marriage of Burns’ lead character. Equal time is given to all five men and some work better than others. There are some heavier themes that I was happy to see explored, especially amongst men, but not enough to recommend it. This movie was marred by the difficult to stomach Jay Mohr, who’s over the top antics made him so unlikable it affected my opinion of the film. 2 out of 5 stars

The Losers

A smash ‘em up mess that features Chris Evans, Jeffrey Dean Morgan, Idris Elba and Zoe Saldana among a crew of bandits in an action-thriller where Jason Patric wants to destroy the world. This was a preposterous movie that was more fascinating to see because of how far Patric’s career has fallen than any other reason. He was once a star to be but is now doing these hack roles, and not particularly well I might add. The cast had enough names, and my Netflix queue was depleted enough, to give this a go, but it wasn’t worth it. The explosions meant nothing – despite Evans, Elba, and Morgan’s best efforts to give it something more – it didn’t work. I might have been generous with this one. 2 out of 5 stars


Jean Luc Godard’s 60′s revered French new wave film was shot in all black and white as you would expect. The tale of a con man who can’t connect himself to anyone and his lover who for some reason wants to be with him desperately (though it never really comes across in the film at all). I was hoping for a more involving movie than this. I appreciate the simplicity of some of the scenes and the lead had a few semi-amusing moments, but again, there is not enough here for me to recommend. It really was like what is referred to nowadays as a mockumentary. The movie reminded me a bit of watching the Man Bites Dog mockumentary but not quite as fun. 2 out of 5 stars

Get Him To The Greek

Puffy steals a scene from Jonah Hill in Get Him To The Greek.

The early year comedy was billed as a sequel to the forgettable Forgetting Sarah Marshall, with only a few of the characters in tact. Russell Brand plays the enigmatic musician Aldous Snow with Jonah Hill a fledgling music exec charged with picking him up in England and bringing him back to LA where he was to play a concert that might resurrect Snow’s career and launch Hill’s. Sean P. Diddy aka Puffy (that’s what I will always call him) Combs plays Hill’s boss, a music mogul searching for much needed talent. Combs’ is by and large the scene stealer of the film and largely what makes it worth watching. I didn’t expect that this would be quite as entertaining as it turned out to be. But it beats the original film on Combs’ performance alone. 3 out of 5 stars


This was a very controversial film upon its Cannes premiere screening which saw more than 200 people walk out on it. The movie is Gaspar Noe’s hammering look at a rape, choices, irony and consequences, told in reverse order. I had a difficult time watching this movie, but respect its audacity and ambition quite a bit. There is a grotesque murder where a gay man is beaten to death with a fire extinguisher (and the camera lingers plenty for you to witness his head separating). Worse still is the absolutely beautiful Monica Bellucci, being raped in a horrific scene that has to be seen to be believed. (At the same time, it was easily among the most painful scenes I have EVER witnessed on film. Makes Pulp Fiction‘s gimp scene look tame). I rated it lower because Netflix asked whether I “like” the film or not. I answered no, I “didn’t like it,” but I am still somewhat fascinated by it, I respect it, and this may be one to own at some point. The ending makes the beginning all the more tragic, believe me. I was in near tears describing a scene in the film a day later. Brutal. 2 out of 5 stars

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Andrew Garfield Stars in I’m Here, Movie Trailer & Short Film by Spike Jonze

Andrew Garfield Stars in I’m Here, Movie Trailer & Short Film by Spike Jonze

The videos below are director Spike Jonze (Where The Wild Things Are) short film and movie trailer, I’m Here (not to be confused with Jo Phoenix’s I’m Still Here). The film is broken up into three 10-minute parts, and stars the new Spider-Man Andrew Garfield (The Social Network) and Sienna Guillory (Resident Evil: Afterlife). The movie is a love story between robots apparently, and I’ll be watching it shortly so that we can share in the experience together.

We previously posted the Spike Jonze short film Fairytale, starring hip-hop star Kanye West. Kanye of course recently shot and starred in his own short film, Runaway, so in a weird way it’s all coming full circle.

Famed movie critic, I guess the most famous movie critic alive, Roger Ebert, posted this material on his online journal. Thanks to R.O.S. for the heads up. Give it a watch and let me know what you think.

I’m Here Movie Trailer

I’m Here Short Film – Part One

I’m Here Short Film – Part Two

I’m Here Short Film – Part Three

Holla at ‘cha boy and we can discuss. Later.

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Justin Timberlake, Jesse Eisenberg, David Fincher in The Social Network BTS Videos

Justin Timberlake, Jesse Eisenberg, David Fincher in The Social Network BTS Videos

Here are two videos from David Fincher’s The Social Network known as B-Rolls, essentially behind the scenes, alternate camera looks at the filming process which feature Justin Timberlake, Jesse Eisenberg and other cast members during the shooting of the movie. These are the types of clips you might see end up on the extras of the DVD or Blu-ray disc release for the film.

The two videos are roughly 5-minutes each and feature footage that was used in the film, albeit often from different camera angles than you saw in the movie. You’ll see Fincher directing, the actors interacting with one another and other general insight into the filming process. Thanks to /film for the info. Enjoy the clips.

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Latest Movie Rentals / Movies Seen From My Netflix Queue

Latest Movie Rentals / Movies Seen From My Netflix Queue

Here is the latest in a series of posts I have been doing on movie rentals or video rentals from my Netflix queue.  You can read the first in the series right here, and the follow up post here.  These write-ups cover the most recent movies I have seen from the DVD rental service, in order of which I saw them.  They cover a spectrum of films, both in my instant watch activity as well as straight random and new movie rentals to my home.  You will indeed find spoilers in these write ups, so be forewarned.  These are mini-reviews of sorts, that include the star rating I submitted to Netflix, based on their somewhat flawed, IMO, 5-star rating system.  Enjoy.

Youth In Revolt (2010)

This Michael Cera led film had an intriguing trailer, though I have not traditionally been a fan of his, I took the plunge.  I can’t say that I was particularly rewarded for doing so, but the movie where Cera’s Nick creates an alternative law-breaking, risk-taking persona, Francois, in order to impress a girl had its moments.  The small town Nick is a desperate loner so Francois easily becomes the real star.  He eggs on Nick to do malicious things, which eventually catch up to him, all in the name of love.  Miguel Arteta’s direction hinted at Wes Anderson’s style with a welcome whimsical, is it real or not, presentation of situations on screen.  This was mildly entertaining, but nothing worth writing home about, so instead I write for you.  3 out of 5 stars.

Clash of the Titans (2010)


Medusa in Clash of the Titans.

Medusa was having a bad hair day for several years now.


Its been years since I saw the Harry Hamlin original as a youngster, but cheesily fond memories made me show interest in this remake.  Sam Worthington stars as an otherwise forgettable hero, who is caught in a war with the Gods in order to save civilization (or something along those lines).  The storyline was irrelevant, as the special effects were the show.  Impressive as they were, this obviously lacked depth and was predictable.  Louis Letterier handled the direction capably for the most part, which was a a bit of a surprise considering the bashing I have seen him take.  Liam Neeson’s “release the Kraken” was the most memorable line (although it seemed better in the trailer).  I was able to accept this as mindless entertainment at home, but it wasn’t worthy of my hard-earned dollar in the theater.  Perhaps its sequel, which is to be shot in 3D from start to finish (unlike this versions add-on in post), might improve on this film.  Who knows? 3 out of 5 stars.

What Doesn’t Kill You (2009)

Mark Ruffalo and Ethan Hawke star as friends who grew up together in a life of crime.  When they get busted, one of them wants to go straight and the other, not so much.  Based on a true story and directed by Brian Goodman, who has a role in the film as well.  Ruffalo plays Brian. A little unevenly paced and shot, but still a reasonably touching film with decent performances from the leads as well as Amanda Peet as Brian’s wife.  The film is about the power of overcoming self-created obstacles and making “the right” decisions.  The film is a little above average and the tale is something that most all can relate to. 3 out of 5 stars.

Chloe (2009)

This thriller starring Liam Neeson and Julianne Moore in a troubled marriage was a bit out there. Cue young, temptress Chloe (Amanda Seyfried) to stir the pot. I thought Seyfried did a good job; I’d never seen the rising star act before. Additionally, I’d eard of Atom Egoyan, but never seen a film he’d directed.  This one was very much a Fatal Attraction wannabe. The film had a strange tone, one in which once you got the gist of what was happening, you could see the outcome from a mile away.  If you like sex, Seyfried, and/or twisted thrillers, this might be up your alley. I wanted to like this more than I did. Egoyan’s direction was very reserved and a little unsettling at times, to ratchet up the drama, but there wasn’t enough originality or “meat on the bones” so to speak, for me to recommend this. 2 out of 5 stars.

9 (2009)

Those that know me know that my Netflix queue is getting stretched when I end up reaching for an animated film.  Still, I had some interest in this off-beat animated film about some weird dudes in a post-apocalyptic world. Though I had seen the original, award-winning short film, there wasn’t much additional to see here overall.  I just can’t seem to get emotionally invested in animated creatures and this standard tale of fighting for their lives and fighting to be alive was no different. Decent animation I suppose, but nothing I would go back to again. Watch it “high” and you might enjoy it more. 2 out of 5 stars

Body Of Lies (2008)


Russell Crowe and Leo DiCaprio

Crowe scoffed at lending his razor to Leo for this scene.

Russell Crowe is a dweeby, political CIA man stationed in the US, with Leonardo DiCaprio his rogue CIA agent stationed internationally doing all the dirty work.  You know, putting his life on the line, getting involved emotionally with the locals, etc., while Crowe chats him up in deep-seeded discussions as he tends to his domestic family life as if nothing serious is going on. An interesting juxtaposition between the two characters, but the film never really takes off. Leo does his best to captivate and Crowe makes his straight man as smarmy as can be, but I can understand why it wasn’t much of a crowd-pleaser. It was just sort of flat and uninventive overall.  Ridley Scott is failing to move me as a director much anymore. I wonder if he has lost his touch (and I think he might have).  He needs to call up Boogie Nights-era Mark Wahlberg and John C. Reilly to get that touch back. This was an average affair, I’d give it 2.5 if I could. It ended rather blandly and was quite talky for a supposed action director. 3 out of 5 stars

Facing Ali (2009)

Documentary, as the title states, of boxers recounting their stories of when they fought Muhammad Ali. Ten men, including Larry Holmes, Ken Norton, Ernie Shavers, and George Foreman chime in on the champ.  Boxing fans will love it, as it is a bit of history wrapped into a strong package. I am a fight fan and learned a lot about the history of some of these fights, the stories of the challengers and their feelings for what Ali meant to them and their careers.  Good info, surprisingly touching, without a hint of bitterness from any of the fighters.  Not tons of actual fight footage, similar to Tyson in that regard, but just the boxers describing Ali in their own words.  A portrayal of the brutality of the sport (very different though from the likes of After The Last Round) as evidenced by where some of these men are now, but also the gratitude that the sport owes and shows Ali. A worthy companion piece to any number of Ali-related films that are out there in the pantheon such as Michael Mann’s Ali, the also very good When We Were Kings and Thrilla In Manila. 4 out of 5 stars.

Me and Orson Welles (2008)

A somewhat entertaining period piece about Orson Welles (a strong Christian McKay) directing a play that stars Zac Efron. This moved about fine, was paced okay, mixed in a coming of age tale for Efron’s Richard, and essentially broke no new ground.  Richard Linklater directs in a straight-forward manner and Claire Danes co-stars to add a little “star-power” to this tale.  No laughing, no crying, no real emotion. I thought it might be a little better than it was, but my watching this shows that my queue is nearing the end of the line, as there were several other films I would have seen but they were all rented out.  2 out of 5 stars.

Robin Hood (2010)

Have you seen Gladiator? Have you seen Braveheart? What about Kingdom of Heaven? Rob Roy? If you have seen any of these, then you have essentially seen Robin Hood, Ridley Scott’s latest period action epic. There is very little action to be had in this Russell Crowe/Cate Blanchett vehicle though. It is really just a tale where we follow around the main character as he acts out his destiny, falls in love, and fights for his new freinds/family/town. I would have rated it higher if I cared at all, or at least if I could understand the characters through their usual 12th century Hollywood talk. I think it would have been better off if if stuck with its original movie title of Nottingham. It was all so…bland. It’s no wonder it didn’t do well in theaters; its long and it offers nothing new. 2 out of 5 stars.

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Clint Eastwood Directed Hereafter Movie Review

Clint Eastwood Directed Hereafter Movie Review

When you look over to your right and seeing someone snoring during the screening of a film, it’s never a good sign. When you are exiting the theater and someone behind you states: “this makes two of Matt Damon’s movies that are among the worst I’ve ever seen,” things can’t be much bleaker. Such is the case with the new Clint Eastwood directed, Matt Damon starring snoozefest, Hereafter.  It’s a movie I had designs on walking out of, and believe me, I never walk out of films.

Hereafter is about retired psychic George Lonegan (Damon), who has trouble dealing with his visions and thus causes difficulties in his interactions with others. His pesky brother Billy continuously is on him about cashing in on his gift, whereas George sees it as a curse.

Overseas, two storylines will intersect with George’s in a bizarre way. One involves a French political reporter named Marie, who had a near death experience during a horribly acted CGI storm, while the other is about a young boy Marcus, who loses his brother in a tragic accident.

The three subplots play out separately. In George’s life, he deals with Billy’s advances and an apparent hope for love in the states. In Marie’s, she has curiosities surrounding her experience, which leads to professional trouble. For poor Marcus, he misses his brother, which is compounded by the fact that his mom is a dope fiend.  Stop me when it gets exciting.

You didn’t stop me? No surprise. The movie plods along at an atrocious snail’s pace and when you are hoping for a major reveal, none happen. Eventually, George comes into the lives of the others, but if you were hoping for some sort of catharsis for any of the characters, be prepared to be let down – severely.  Everything is so stiff and contrived, its ugly.

This is (at least) the third straight movie from Eastwood which has failed to deliver. His previous Damon led film, 2009’s Invictus, didn’t materialize into much and 2008’s Gran Torino suffered from some of the same issues here, with its wooden acting and unmoving storylines.  The clock is officially ticking for the icon, who made incredibly strong films within the last decade in 2003’s Mystic River and 2004’s Million Dollar Baby. Highly disappointing.

As for Hereafter, there isn’t much positive to report, the director at times shows touch, but the source material written by Peter Morgan (Frost/Nixon) is so poor, it leaves little option for the tree to bear any fruit.  It’s the type of film you hope would never get made, or at least one that with lesser names involved, would go direct to video. Not only can I not recommend this for the big screen, I don’t recommend it for a Netflix rental. Just stay away and discover the hereafter on your own when the time comes.

Posted in Empty Nest, Featured, Reviews2 Comments

The Social Network Movie Review

The Social Network Movie Review

How we communicate is constantly in flux. It used to be primarily via face-to-face interaction. Nowadays, it is largely via computer. In David Fincher’s riveting new movie The Social Network, based on the book “The Accidental Billionaires” by Ben Mezrich, communication is exploited and exposed in many forms. One of those uses is the heavy, atmospheric score by Nine Inch Nails’ Trent Reznor and Atticus Ross, which signals the dark mood that Fincher employs for the story of how the communication mega-site facebook was founded and the power struggle behind the scenes of who came up with the original idea for the 500 million member social phenomenon.

Computer nerd Mark Zuckerberg (Jesse Eisenberg, Zombieland) and businessman Eduardo Saverin (Andrew Garfield, Never Let Me Go) are Harvard students and best friends.  When the concept of social media is introduced to him, Mark creates a program that crashes the Harvard computer system, and the power of how quickly information sharing can spread becomes amplified. Eduardo provides the financial means for Mark to realize his idea and turn it into an opportunity to meet chicks – and much more.

Humbly-beginning, facebook became the entity it is through college students sharing information.  From the dorms of Harvard to law offices in California, from exclusivity to being inclusive of all, facebook’s wide reach touched millions and became worth billions. The non-shocking irony is that the website that connects people worldwide was developed by Zuckerberg, someone who had next to zero connections himself.  He clearly wanted a more social life, and with facebook, succeeded beyond his wildest dreams. Fincher’s film details how the site came to be and how it ripped apart the relationships of those involved in its formation.

The Social Network cast isn't staring at internet porn.

Strong performances abound, particularly among the potentially award-worthy leads Garfield and Eisenberg, but also extending to supporting players like Justin Timberlake’s swindler Sean Parker and Armie Hammer’s Winklevoss brothers (yes, he convincingly plays both twins with a bit of Fincher movie magic). Be prepared for Hammer to become a more well-known actor; ditto for Garfield (okay, that was a layup since he is the new Spider-Man).  Even Rooney Mara who plays Mark’s girlfriend Erica is set to blow up soon with the lead role in Fincher’s next film The Girl With The Dragon Tattoo.

Fincher continues to further his oeuvre, transforming himself from a more creative, avant-garde and visual filmmaker into a mainstream, award-worthy, polished storyteller in recent films. Fincher takes what might not be typically exciting subject matter and makes it compelling, telling the story in a series of intercuts between past and present, keeping us engaged throughout.

Aaron Sorkin’s script, which is already being largely buzzed about for an Oscar run and seems the odds on favorite for the award at this juncture, is also noteworthy.  His dialogue crackles, convincingly translating Mezrich’s work into a sharp screenplay for Fincher’s cast and crew to bring to life.  Despite the occasional one-dimensional character and an unnecessary scene here or there, The Social Network is a film worthy of making into a social event. Where there is a money trail, there is often tragedy, and this story is no different. Go see the film, even if you are like me and not on facebook.  Deep down inside, just like Mark, it only wants you to “like” it.

Posted in 3 Nests, Featured, Reviews8 Comments

Ryan Reynolds Stars in Buried – A Full Movie Review

Ryan Reynolds Stars in Buried – A Full Movie Review

If I have anything that resembles a known phobia, it is claustrophobia, so the prospect of watching someone trapped in a box for an hour and a half had me a bit uncomfortable.  But that’s exactly the predicament that Ryan Reynolds, star in the new film Buried, finds himself in. From frame number one, director Rodrigo Cortes, making his English language debut, throws us into the darkness and despair that would normally accompany someone who is trapped in a coffin and buried alive.

The premise itself is enough to make many shudder.  Reynolds’ Paul Conroy is a truck driver for CRT, a transport company delivering supplies in Iraq.  He awakens in a coffin, not knowing how he got there.  Conroy is not a soldier, but may be a political pawn in a sick and twisted game.  Immediately, of course, survival is of paramount concern.

The main question for Conroy is why was he kidnapped? Who buried the man in a pine box under dirt and sand and for what purpose?  Money appears to be a motivating factor, but the reality may be much different.  The balance of the film finds Conroy struggling to find answers as he uses his captors gifted foreign cell phone, a lighter, flask of alcohol, and a few other gadgets as his sole tools for survival, MacGuyver-style.

Conroy goes through various stages of despair, almost comfort, sadness, and uses his will to survive as motivation.  His emotions run the gamut but there are too many plot holes for you to really care too much.  So many questions that the film and its protagonist ask are left unanswered.  Its fine if you are one who likes to try to piece together a plot through what you have seen, but ultimately no reasonably accurate conclusions can be drawn based on the information we (and Conroy) have been given.  This is one of the drawbacks that make this excursion more befitting of a short film, than a long form 100-minute big screen spectacle.

Buried is an opportunity for Reynolds to shine as he holds the camera for the vast duration of the movie.  This movie is more of an exercise than a heavy plot driven film.  Despite its technical merits and strong acting, there isn’t enough to really grasp onto beyond what you get to experience on screen. Yes, it is more of an “experience” than some films, as you are trapped in darkness along with Conroy, but the end result means its something you likely won’t want to sit through more than once.

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